But behind this first misleading impression, CAMELOT is much more than what it looks like. Compared to other current software, we can say CAMELOT is minimalist (graphically speaking… this is a personal opinion). But when CAMELOT version 2.0 came out, and after downloading the trial version, I started using it and discovered not only a very simple and intuitive software but also a very powerful tool.Īt first glance, I wasn’t particularly thrilled by the looks of the graphical interface. I admit, before CAMELOT was released I was using Apple's MainStage. I don’t know if the name chosen by Audio Modeling refers to the Arthurian legend, but it could be that Audio Modeling is looking for the holy grail for all musicians on the planet. So, the Italian company Audio Modeling, (who is also developing a series of virtual instruments using their SWAM engine), has made a software that seems to address the desire of a growing number of musicians looking to integrate various hardware components (Synthesizers, Sound Modules, Keyboards of controls, MIDI controllers…) with software applications (Virtual Synthesizers, Virtual Effects…).
Yes but what about PC users, I hear you say? There are other applications that have been developed which are more or less known or more or less well distributed but they’ve remained in the shadows of MainStage which is widely used by many professionals all around the world.
This is great and comes at a very affordable price compared to the possibilities of the product. Until now, musicians using Apple computers had MainStage which not only allows you to manage all these peripherals but also embeds the sound modules delivered with Logic Pro X.
#USING APPLE MAINSTAGE LIVE HOW TO#
On stage or at home (Home Studio), many musicians wonder how to manage Keyboards, Sound Modules (hardware and software), MIDI Controllers…
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